Community Work as Dance by Maria Kubalewski


One of my close friends is a ballroom dancer. Although my wish to become a better dancer by osmosis has yet to come to fruition, my eyes were opened to how unique of a craft ballroom is. 

Kheprw’s approach to community work reminds me a lot of ballroom dance. 

Kheprw Institute is a grassroots organization that works primarily out of the Riverside and Highland Vicinity neighborhoods in Indianapolis. Grounded in the belief that members of a community are the best suited to lead within the community, Kheprw works to involve community members of all ages, interests, and backgrounds in conversations and programs touching on (but not limited to) race, education, the environment, entrepreneurship, art, and technology. 

There are many different styles of ballroom- Waltz, Tango, Foxtrot, Samba, Mambo, Cha-cha. Instead of focusing on one path to community work, Kheprw makes moves with urban gardening and youth programming, sparks conversation about gentrification and environmental degradation, and is working to provide a safe space for creatives of all kinds and an incubator to coach small businesses on the sidelines. Each style of dance requires conditioning- practice, coaching, and discipline. Each of Kheprw’s branches requires continuous research- discussion, collaboration, and commitment. Strong dancers are multi-faceted in the sense that they can dance more than one style, making them competitive; Strong organizations are multi-faceted in the sense that they have a team that offers a variety of programs, assisting the community in supporting itself. 

If a member of Kheprw is one half of a ballroom couple, then another organization, community member, or project makes up the other half. When you’ve got a really good relationship with your dance partner- you’re both comfortable with the style and approach, there’s clear communication, and there’s a sense of trust- dancing is smooth. When you’ve got a new dance partner, or you and your old one don’t agree on style or technique, dancing becomes a lot more strained. It doesn’t matter how prepared either partner was for the competition, if you’re not jiving together, it’s just not going to be your day.

As to be expected in community work, Kheprw has dance partners that don’t skip a beat and partners who seem to be dancing to a different song. Synchronized dance partners help to provide opportunities within the community or lay the foundation for long-term projects. Why bother dancing with a partner who has two left feet? The better question is why not? Members of Kheprw treat every experience as a learning opportunity. Even when a relationship is uncomfortable, even when there’s tension, both partners can learn from one another. Sometimes partners grow closer, other times the partnership just isn’t meant to be. But there is always value in the relationship, always a story to hear and a lesson to be learned. 

Dancing is an art. It takes time, creativity, and demands an appreciation for the culture. To do well, partners need to work hand in hand to support one another. In this way, dance emphasizes the interdependent relationship, making it emotional, fun, and challenging all at the same time.  

Community work is also an art. To do it well starts with seeing the community as something to be appreciated, as something to learn from and grow with. Kheprw emphasizes community work- meaningful relationships amongst people comes first. The work then emerges from that space. Just like dancing, working with people is inherently emotional, fun, and complex. But that’s exactly what makes the work, makes the dance, so important. 

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